AKILLIA’S ESCAPE PREMIERS AT TIFF 2020!

 

 

When a routine deal goes bad, a drug trader tries to set things right while unexpected circumstances force him to confront his traumatic origins.

During what is supposed to be a simple, routine handoff, 40-year-old drug trader Akilla Brown is suddenly caught in the middle of a violent robbery. Narrowly making it out alive, he captures one of the thieves, a teenaged Jamaican boy named Sheppard. Under the pressure of the criminals who hired him, Akilla must set things right and retrieve the stolen goods over the course of one arduous night.

When Akilla discovers that Sheppard’s gang has ties to the Garrison Army, the same crime organization he fell into as a child, he has to confront his own traumatic origins and becomes compelled to help the boy survive — and possibly even make the escape that he never could. Set in parallel timelines in present-day Toronto and 1990s Brooklyn, Akilla’s Escape illustrates how the oppressive cycle of violence manifests in different generations and just how difficult it is to break.

Poet-musician-actor Saul Williams — who also collaborated with Massive Attack’s 3D on the soundtrack — brings a subtle gravity to the role of the film’s quietly tortured protagonist. Returning to the landscape of the urban drama that helped make his name with Nurse.Fighter.Boy (2008), award-winning writer-director Charles Officer circumvents the sensationalism of the crime genre in this intelligent, distinctive, and sensitively rendered neo-noir–meets–coming-of-age story. With Jamaican gang culture and the reach of its rampant international drug trade as a biting political backdrop, Akilla’s Escape is a wide-eyed look at social violence and the toll it takes on Black lives. Special EventsPlanet Africa 25 – CAMERON BAILEY

Shomari Downer, Motion, Olunike Adeliyi, Thamela, Donisha Pendegrast, Charles Officer, Ronnie Rowe

dir-unarmed verses

Director
Charles Officer was born in Toronto. He studied visual art at Cambridge University and communication design at OCAD University. His credits include Nurse.Fighter.Boy (08), which played the Festival, Mighty Jerome (12), Unarmed Verses(17), and Invisible Essence: The Little Prince (18). Akilla’s Escape (20) is his latest film.
Canada, 2020, English, 90 minutes
Director Charles Officer
Screenplay Charles Officer, Wendy Motion Brathwaite
Cast Saul Williams, Thamela Mpumlwana, Donisha Prendergast,
Ronnie Rowe Jr., Olunike Adeliyi, Shomari Downer, Colm Feore, Bruce Ramsay, Vic Mensa
Cinematography Maya Bankovic
Editing Andres Landau
Executive Producers Martin Katz, Michael A. Levine, Karen Wookey, Reservoir
Producers Jake Yanowski, Charles Officer
Production Company Canesugar Filmworks
Production Designer Diana Abbatangelo
Sound Brad Dawe
Publicist Accolade Publicity & Consulting
Original Score Saul Williams, Robert “3D” Del Naja
Sat, Sep 12 West Island Open Air Cinema at Ontario Place
Sun, Sep 13 TIFF Bell Lightbox
Tue, Sep 15 Online at Bell Digital Cinema Streaming in Canada. Available from:
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MOTION & IDRIS GOODWIN ON SOULPEPPER’S FRESH INK!

Fresh Ink returns with two incredible multidisciplinary artists and educators who have both used hip hop, theatre, and sometimes a blend of both, to tell stories shared across North America. Join Idris Goodwin (And In This Corner Cassius Clay, How We Got On, and Hype Man: A Break Beat Play) and Motion (Oraltorio: A Theatrical Mixtape, Aneemah’s Spot, Nightmare Dream) as they read excerpts from their newest work. The event was co-hosted by Artistic Director of Soulpepper Weyni Mengesha, and special guest Mumbi Tindyebwa Otu, incoming Artistic Director of Obsidian Theatre Company.

Motion Official Website: http://www.motionlive.com Idris Goodwin Official Website: http://www.idrisgoodwin.com Plays by Idris Goodwin: http://www.tyausa.org/freeplay/

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SOULPEPPER PRESENTS FRESH INK!

Experience the very freshest work from some of the today’s most exciting playwrights! Pour yourself a drink and join Idris Goodwin (And In This Corner Cassius Clay, How We Got On, and Hype Man: A Break Beat Playand Motion (Oraltorio: A Theatrical Mixtape, Aneemah’s Spot, Nightmare Dream) as they read excerpts from their newest work. The event will be co-hosted by Weyni Mengesha and Mumbi Tindyebwa.

FOR INFO: SOULPEPPER.CA

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2 AM : playlist by J_730 on SPOTIFY

2AM : playlist by J_730 – big blunt smokin, lyric thought provoking shit to vibe to in the new era of Hip Hop

LISTEN Here:

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BLACK FUTURES ON EGLINTON

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31 BLACK CANADIAN FEMALE PLAYWRIGHTS YOU NEED TO KNOW

Motion and DJ L’Oqenz perform in Oraltorio. (Cesar Ghislieri/Soulpepper )

Black Women Playwrights bringing DRAMA to the stage! So many impactful works by women to read, see, study, enjoy & be inspired by! Motion and DJ L’Oqenz’s Oraltorio joins a powerful list of 31 African-Canadian women theatre creators across generations, the country, and genres, including Nicole Brooks, Andrea Scott, Raven Dauda, Ngozi Paul, Shauntay Grant, stage works like Da Kink in My Hair, Lukimi: A Dub Opera and Harlem Duet, and many, many more.

Writer Amanda Parris writes: “A playwright, screenwriter, poet and MC, Motion moves between the stage, screen and recording studio — a true Renaissance woman who creates by any means necessary. Her expertise in multiple worlds has enabled her to create works that bridge mediums. Music is an integral component for each of her plays, and drama is an indelible part of each of her musical performances. In the past year, Motion has been focusing her efforts on creating stories for the screen, but her collection of award-winning theatrical works (one of which I starred in) remains impressively diverse and compelling. Key works [include] 4our Woman, Aneemah’s Spot, Nightmare Dream, Oraltorio: A Theatrical Mixtape (co-created with DJ L’Oqenz)” Read full article HERE!

Many thanks to @amanda_parris for bringing together this powerful list for her series Black Light (CBC Arts). Black Light is a weekly column by Governor General Award-winning writer Amanda Parris that spotlights, champions and challenges art and popular culture that is created by Black people and/or centres Black people.

Natasha Adiyana Morris’s new play The Negroes Are Congregated on stage at Toronto’s Theatre Passe Muraille
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CFC PREMIERS SHOMARI DOWNER’S “THEODORE”

It’s been amazing to collaborate with actor – SHOMARI DOWNER, co-writing his new short “THEODORE”. Shomari Downer draws from a diverse range of life experiences, realities and communities to bring his characters to life. From stage to television to film, Downer’s passion for authentic storytelling and honest characters has led him to explore a variety of emotions and characters, from his start onscreen in John Singleton’s film, Four Brothers, to his leading roles in the films One Angry Juror and Edging. From starring in “Aneemah’s Spot” by playwright Motion, to co-writing “THEODORE” – his short for the 2019 CFC Actors Showcase – there are more creative collaborations to be released in 2020!

Directed by REZA DAHYA. Written by MOTION & SHOMARI DOWNER. Score by IVA DELIC. Produced by Canadian Film Centre.

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SPOKEN WORD & BLACK FUTURES ON EGLINTON WEST!

 

Black Futures on Eglinton West is a community arts engagement project exploring past, present, and ideal future cultures of Black residents in the Eglinton Avenue neighbourhoods between Keele Street and Allen Road.

Motion joins a roster of multi-displinary artists leading community creation workshops in Spoken Word, photography, film & video and more. Calling resident and community poets, writers and performance artists (ages 16-34) for a collaborative workshop creating an Epic Poem that celebrates and commemorates the impact, significance and future of Black culture on Eglinton Ave West, Little Jamaica and Oakwood Vaughn neighbourhoods!

Register for the Black Futures on Eglinton West Poetry Workshop taking place at the Nia Centre for the Arts on Feb. 18th and 27th, 2020 :

REGISTRATION:www.google.com/url?q=https://cpplanning.ca/bfoe poem&source=gmail&ust=1581370569930000&usg=AFQjCNFba2-2w-bu-DCvT1yW2tVtJWdyAw

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WORD, SOUND, POWER: BLACK ARTISTIC EXPRESSION

 

 

 

 

Word, Sound, Power: Black Artistic Expression @ Tribute Communities Recital Hall Accolade East Building, York University – Feb 12 @ 5:30 pm – 9:30 pm

The Jean Augustine Chair in Education, Community and Diaspora in the Faculty of Education at York University and Unifor are pleased to present their annual Black History Month Celebration.

Word, Sound, Power: Black Artistic Expression will be an evening of spectacular performances showcasing Black artistic expression here at York University! Featuring musical performances including the R&B Ensemble under the direction of Mike Cado and the York University Gospel Choir under the direction of Karen Burke, as well as Spoken Word artists from Griots to Emcees.

The evening features a presentation by Wendy Motion Brathwaite on the legacy of Black oral & aural culture.

5:30 – 6:45 p.m. RECEPTION (Martin Family Lounge – 2nd Floor Accolade East)
7:00 – 9:30 p.m. PERFORMANCES (Tribute Communities Recital Hall Accolade East Building)

SPACE IS LIMITED. RSVP at http://bit.ly/2G21TrA

This is a free event. All are welcome to attend.

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CORONER: MOTION TALKS “BORDERS”

CBC

| January 13, 2020 | thetvjunkies.com/coroner-motion-talks-borders/

If you were scared by Jenny’s (Serinda Swan) new sleepwalking tendencies last week in Coroner’s Season 2 premiere, then the developments this week have to have you even more scared. While investigating a body found in the middle of a road in the country with no ID, Jenny put herself right in the middle of the investigation, and in the process, ended up triggering some scary side effects. As promised by showrunner Morwyn Brebner and EP/Director Adrienne Mitchell, these are all just different manifestations of Jenny’s anxiety as she moves through Season 2.

Elsewhere in “Borders,” written by Motion and directed by Mitchell, Jenny dealt with the truth about Ross’ situation, and signs pointed to Liam (Éric Bruneau) having issues of his own he may need to deal with. Mac (Roger Cross) crossed paths with a mysterious new woman named Noor (Olunike Adeliyi, Workin’ Moms). Motion joined The TV Junkies recently to discuss the experience of writing the episode, the themes at play, and why roles may reverse as Jenny finds herself needing to support Liam.

The TV Junkies: The first season of Coroner was one of your first experiences writing for TV. What was it like coming back for Season 2 having that under your belt now?

Motion: It was great to join the team and work with everyone again. It was nice to take what had been created and manifested in the first season, and then look, as a collective, where we wanted to go in Season 2. It was an exciting opportunity to push that envelope even further, to get to know the characters even more, and pick up their lives months after the finale in Season 1.  The Season 2 writers’ room was such a great experience.

TTVJ: You co-wrote your Season 1 episode with Morwyn [Brebner, showrunner]. What was it like doing this episode on your own this season?

Motion: It was great to get to write this episode. I learned from writing with Morwyn, and then everyone else in the room, to take an episode, envision it, and bring it to fruition. It was good to build upon the experience of Season 1 and really dive into this on my own.

These things are always a total team effort and we have a great room. I’ve learned from every one of the writers — those with a lot of experience and those building up their experiences. We have this chemistry where you feel safe to throw ideas into the ring and help each other build stories. We all try to think about our own experiences and identities and bring the realness of the stories by connecting with our own lives. We try to think about the real responses that these characters would have as friends, coworkers, or people who have jobs with real responsibility. Having great chemistry in the room, and a great vision from our showrunner Morwyn, is what keeps these stories building and really makes them dynamic.

TTVJ: Immigration issues are something many countries are facing right now. Where did the idea for this week’s case come from?

Motion: A big theme of Episode 2 is borders and freedom of movement in the world. We wanted to bring up questions around who can move freely in this world and who can’t. There’s a risk that we take in finding safe spaces in the world, and so immigration may be one part of that, but it’s a part of the larger theme of movement.

TTVJ: We see Jenny’s problems continue to escalate this week in the airplane, and then Liam having to pull her out of the tub. Can we expect to see her in these dangerous situations going forward?

Motion: As we know from Season 1, Jenny will throw herself — literally, physically, mentally, emotionally — into a case in order to solve it. She’s a risk taker in many ways, and the intensity and impulsivity, in order to do whatever it takes to solve the case and figure out these people — she will do whatever she has to do in order to do that.

TTVJ: In the process of investigating the fire, Mac meets this woman named Noor. Can you tell us a little bit more about her character and how she may factor into the season?

Motion: Noor is a really amazing character who Donovan starts to be very intrigued by. At first it’s professionally, but it becomes more and more personally. She also embodies this theme of freedom of movement, safety, and finding home. She’s someone who is brave and putting herself at risk in order to find safe spaces for others. She builds up the courage of others to find safe spaces and escape when they need to.

Donovan, like Jenny, is often very personally affected by the cases and people. He takes them on and so when he first connects with Noor, he is also really moving to ‘Who is she? What is her story? How does she connect to this larger case?’ He sees the work she’s doing and becomes even more intrigued by her courage, but he also wants to know her story.

CBC
CBC

TTVJ: You all did a really good job of making me feel Liam’s frustration over trying to get in touch with the veterans assistance program. Even though we’ve only got a few hints thus far, like Jenny, he seems headed towards some dangerous behavior. How worried should we be about him?

Motion: In Season 1, he really came in like a knight in shining armour at a really hard, transitional phase in Jenny’s life, as well as Ross’ life. He really was a figure of strength and support, but here we’re seeing that even the ones who seem like the strong ones, also need to be supported. He also has his own story and throughout the season we’ll find out about his secrets, what he’s been holding inside, and what he’s suffering. Jenny now has to become a supporter of him and figure out his mystery. They are both really dealing with each other’s traumas and support each other. They’re trying to get to the other side to find out what they’re holding back that needs to be revealed for healing.

TTVJ: What can you preview about next week’s episode?

Motion: It’s a great episode by Nathalie Younglai that delves into something very timely. It does a great job of bringing up a really timely topic, but in a very personal way. Things get more and more mysterious as we go on.

Coroner airs Mondays at 9 p.m. ET on CBC.

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